Face to Face
Christoph Girardet & Matthias Müller, Bjørn Melhus, Stefan Panhans, Meg Stuart
06.02.2016 — 12.03.2016Christoph Girardet & Matthias Müller, Bjørn Melhus, Stefan Panhans, Meg Stuart
Face to Face
Christoph Girardet & Matthias Müller, Bjørn Melhus, Stefan Panhans, Meg Stuart
06.02.2016 — 12.03.2016Christoph Girardet & Matthias Müller, Bjørn Melhus, Stefan Panhans, Meg Stuart
Bjorn Melhus
Bjørn Melhus was born in Kirchheim unter Teck in 1966, studied photography in Stuttgart from 1985 to 1987 and Fine Arts with a major in Film/Video at the
Braunschweig University of Art from 1990 to 1997. He was a fellow of the DAAD at the California Institute of the Arts in Los Angeles and of the federal state of Lower Saxony in ISCP, New York. He participated in exhibitions at the Whitney
Museum in New York, the 8th International Biennial of Istanbul, the FACT in Liverpool, the Serpentine Gallery in London, the Sprengel Museum in Hanover, the Ludwig Museum in Cologne, the ZKM in Karlsruhe, the Denver Art Museum, as well as others.
Bjørn Melhus has been a professor of Fine Arts/Virtual Realities at the School of Art and Design Kassel since 2003. Bjørn Melhus has been living and working in Berlin since 1987.
In his short films and installations, Bjørn Melhus focuses on general global ideas and trends, the critical reception of mass media, as well as the direct effects they have on people. He uses footage from film and television excessively and deconstructs stereotypical themes, figures and patterns of perception through means of exaggeration. At the same time, he breaks up a seemingly fixed relationship between media and audience, thus opening up the view on the essentials of human interaction.
In his short films and installations, Bjørn Melhus focuses on general global ideas and trends, the critical reception of mass media, as well as the direct effects they have on people. He uses footage from film and television excessively and deconstructs stereotypical themes, figures and patterns of perception through means of exaggeration. At the same time, he breaks up a seemingly fixed relationship between media and audience, thus opening up the view on the essentials of human interaction.